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Is this the end of Hollywood?

Google has dropped a technological bombshell that may forever alter the future of filmmaking. Enter VEO 3 — Google’s next-gen video generation software that, according to early adopters, might just be the most disruptive content creation tool ever released. In a world where AI is creating art, writing music, and now making films, many are asking, is Hollywood… finished?

VEO 3 is Google’s new video rendering engine that allows users to generate high-quality 8-second videos from detailed text prompts. It’s not available to the general public for free yet, it’s a premium tool, priced at $120 per month, and currently allows four video generations per day.

Despite those gatekeeping limitations, what it can do is staggering.

I’ve seen one creator describe how they input a complex prompt — a steampunk city, a woman in a red cloak wielding a sword powered by a mechanical backpack — and within minutes, VEO 3 rendered an eerie, cinematic scene with music box audio and tension-filled visuals. All this took just one minute to generate. That’s not just creative acceleration — it’s industrial-scale disruption.

The implications go far beyond short clips. VEO 3 can theoretically process full-length film scripts and render them into movies within 30 hours. While the results may not be perfectly polished just yet, the trajectory is clear. We’re likely only a year away from AI being able to ingest a screenplay and output a full, watchable feature film. That is mental.

That’s right, studios could soon be in a position to “plug and play” scripts, eliminating costly production logistics, actors, locations, and even directors. It’s starting to make sense why so many creatives took to the streets in recent times to protest AI’s use in the industry, right?

What makes VEO 3 especially powerful is how well it pairs with prompt engineering. In one example, a user began with a vague sentence about kung fu fighters on a boat. Unsatisfied with the AI’s interpretation, he turned to ChatGPT to write a far more detailed prompt. After refining it further, he re-submitted it into VEO — and got exactly what he envisioned.

This layered process of using AI to improve AI prompts is a glimpse into how storytelling might evolve. Not only are AI tools like ChatGPT and VEO 3 collaborating, but creators are learning to shape these tools into extensions of their vision. It’s like AI lasagna.

Inevitably for me, the conversation shifts to concern. Where does this leave traditional artists, actors, and filmmakers?

I personally believe there’s always going to be value in human created work. Just as hand-crafted Jewellery holds prestige in a world dominated by Pandora, there will be a niche — and likely a high-paying one — for authentic, human-created content. Rich collectors and discerning audiences will still crave the emotional depth and imperfection that only a human touch can bring.

But the mainstream media machine? It’s certainly showing signs of going the way of automation.

VEO 3, alike many AI deployed, certainly isn’t perfect yet — and that’s part of what makes it fascinating. I was watching a YouTube clip the other day and in one of their tests, the AI-generated video hallucinated a name (“Diego”) in response to a prompt that never mentioned it. The clip, featuring a shadowy 8-foot figure peeking from behind a fence, felt like a scene straight out of a found-footage horror film. In another iteration, VEO mimicked grainy, shaky cell phone footage — fully fabricated, yet hauntingly real.

These surreal moments hint at a strange future where fake feels real, and it becomes nearly impossible to distinguish AI-generated content from actual footage.

Google VEO 3 isn’t just a toy for tech enthusiasts — it’s a seismic shift in how we create and consume visual media. From indie filmmakers to blockbuster studios, the rules of the game are changing.

And whether you’re excited or terrified, one thing is certain, we’re only at the beginning. How is AI going to be impacting your organisation and industry going forwards? Are you ready?

Author

Head of Marketing, Orbition Group

Catherine King

Catherine King holds the position of Global Head of Brand Engagement and serves as the Editor-in-Chief of Driven by Data Magazine at Orbition Group, a prominent boutique talent solution company. With a thriving community comprising more than 1000 senior data and analytics executives, Orbition is well-positioned in the industry. In her role, Catherine is tasked with creating and implementing cutting-edge and influential content and engagement strategies tailored for senior executives specialising in data, analytics, digital, and information security.

She is also an award-winning content creator, podcast host, event moderator, and speaker, with multiple honors and recognitions, including the CN 30underThirty in 2022. She leverages her expertise and passion for data and infosec to produce and host industry-leading content, moderate large-scale events, and spearhead communities that foster knowledge sharing and collaboration among professionals and leaders.

In addition, Catherine is an instructor at the University of British Columbia's Sauder Business School, where she teaches the Marketing Intelligence and Performance Optimization module for their Data and Marketing Analytics Course. She enjoys sharing her insights and best practices with the next generation of data and marketing analysts.

Catherine holds a Bachelor of Economic and Social Studies from Cardiff University, with a focus on sociology. She is committed to promoting diversity, inclusion, and accessibility in the industry, and is a vocal ally and advocate. Outside of work, she loves gardening and spending time with her partner, son and two Pomeranians.

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